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・ Live Begins at 40
・ Live Below the Line
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・ Live Bites
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・ Live Blood
・ Live blood analysis
・ Live Bogotá
・ Live Bootleg
・ Live Bootleg '82
・ Live Bootleg (Audio Adrenaline album)
・ Live Bootleg (Hundred Reasons album)
Live Bootleg (Resurrection Band album)
・ Live Bootleg! Tour
・ Live bottom trailer
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・ Live broadcast
・ Live Bullet
・ Live by Night
・ Live by Night (film)
・ Live by Request
・ Live by Request (Blondie album)
・ Live by Request (k.d. lang album)
・ Live by Request (Kenny Rogers album)
・ Live by the Bay
・ Live by the Code


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Live Bootleg (Resurrection Band album) : ウィキペディア英語版
Live Bootleg (Resurrection Band album)

''Live Bootleg'' is the first live album, by American Christian rock band Resurrection Band, released in 1984. It was the band's first release for Sparrow Records, and also their first under the shortened moniker "Rez Band."
''Live Bootleg'' was the group's biggest selling album.〔(Marshall William Fishwick, Ray Broadus Browne ''The God pumpers: religion in the electronic age'' Bowling Green State University Popular Press, 1987 pg. 145. )〕
==Recording history==
Recorded before a loud and responsive local audience at the Odeum Arena in Chicago over two nights, October 21 and 22, 1983,〔http://www.discogs.com/Rez-Band-Rez-Band-Live-Bootleg/release/1247732〕 this album features a mixture of the band's most popular live tracks as well as two new songs: "Gameroom" and "Playground". The album also features the only time a song from one of the band's independent cassettes was ever re-recorded for one of their official releases ("Quite Enough"). "Gameroom" continues the trend begun on ''D.M.Z.'' of directly addressing the concerns of a high-school aged audience, and the album closes with a powerful evangelistic message from Glenn Kaiser, which was typical of the band's live performances.
Steve Taylor was Rez Band's opening act for this concert.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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